Art Center Shoot


We got a sneak peak inside the Johnson County Arts and Heritage Center today. Shooting a short film about an up and coming artist - Cathy Kirkland - who's work will be on display when the center opens June 10th. Check it out. 


Writers on the storm

A solid story isn't complete without a good writing session. Our team wears many hats at DHTV and that includes script writing. From collaborating on technical ideas all the way to structuring a solid script, we don't hang our hats up for the day until we have something to show for it. 

Many great stories have a lot more going on under the surface. Sometimes the process will require more than a few sit-downs to get from the initial pitch to the shooting phase. The real brain power is done during sessions like these where we bounce ideas off each other and really take the time to polish our project, to ensure the best piece we can present for our clients. Good work takes care, effort, and passion.

After all, Rome wasn't built in a day


DHTV 360

Yep, we took the plunge and invested in a 360 camera last winter and we're having fun learning how to put it to good use for our clients.  

Attached to the bottom of a piece of farm equipment, this camera captures everything and lets the viewer look around while the tool does it's job. Our client is Kelly Engineering, an Australian farm emplement firm and the creator of the Kelly Diamond Harrow.

We spent the day capturing this 62 ft harrow in Macon, Missouri. We flew over and around it with a drone, shot footage in super slow motion, and captured up close shots of a corn field being prepped for planting with a gold old fashioned GoPro.

DP Todd Norris and digital assistant Brock Masters strap a GoPro camera to this Kelly Diamond Harrow before it heads back out in to a cornfield.

DP Todd Norris and digital assistant Brock Masters strap a GoPro camera to this Kelly Diamond Harrow before it heads back out in to a cornfield.

Overall a great day, although we all headed home with a thick layer of dirt under our fingernails, in  our hair and pretty much everywhere else. Sometimes ya just gotta get a little dirty.

Sometimes, Making Movies is Just Fun

When I was young, I always dreamed of a job that's interesting, sometimes exciting, always challenging, and fun. Making short films for business clients and for public consumption is all of the above. Like all jobs, some days in the video production business are just better than others. Today was one of those days

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There's No Such Thing as, 'It's Just an Interview'

When the mandate is, 'making people look good', every element of story production is critical. Our clients, and prospective clients, see our work or the work of other high quality video production companies and assume the interview is the easiest part. 

It seems pretty simple, right?  Sit the interview subject in a room, put the camera on a tripod, point the camera at him and roll. But even when it’s just an interview, ESPECIALLY when it’s an interview, there are many considerations.

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The Right Tools for the Job

By Todd Norris, Director of Photography-DHTV Digital

“The right tool for the job.” This phrase comes up often when talking about different camera models. While a larger broadcast camera might be best for most video production, sometimes you need something small and nimble. Also, while quality video production involves using professional lighting, sometimes you need to capture images in very low light. Enter the Sony A7sii, the latest addition to DHTV Digital’s camera family.

Camera A7S ii

Small and lightweight? Check. Incredible low-light performance? Double-check. Oh, and stunning full-frame video in 4k resolution, continuous 120 fps slow-motion and, for the camera nerds, 14 stops of dynamic range. Uh, what? Let’s break these down, one by one, to see how and why these features help make your videos better.

1.     Small and lightweight. Sometimes a big broadcast camera just isn’t a practical choice. It’s much easier to mount a small camera onto a vehicle for a moving shot, for example. And sometimes a larger camera and tripod are simply too large to transport to remote locations.

Screen grab from video captured in extreme low light with Sony A7S ii.

Screen grab from video captured in extreme low light with Sony A7S ii.

2.     Low-light performance. Some locations are too big to light. Some locations forbid the use of video lights. Most common are situations where adding lighting would spoil the mood (a candlelight vigil, or a dark conference room, for example). The Sony A7sii can actually be used in moonlight! Not that you would ordinarily shoot in such a way, but having that ability is now another brush for our canvas

3.     4k resolution. TV and websites like YouTube are quickly making the jump to 4k. Shooting in this format future-proofs your videos. Also, when down sampling 4k footage to the more common 1080p, the result is a creamy, cinematic look.

4.     Continuous 120fps slow-motion. Many cameras that shoot 120ps can only do so in short bursts. This means that there’s always a chance of missing a crucial shot when the burst ends. The A7sii can record 120fps without such restrictions.

5.     14 stops of dynamic range. While most people are aware of the benefits of higher resolution images, fewer people are aware of the benefits of high dynamic range. Dynamic range is the range of light to dark a camera can capture in one shot. Higher dynamic range is one reason Hollywood movies look richer than, say, your average reality TV shows, which are shot on cameras with lower dynamic range. 14 stops is roughly the same range that 35mm film can capture. So there’s plenty of detail in the shadows and the highlights.

Combine all these features and the Sony A7sii adds up to the perfect addition to the DHTV Digital camera family.

Don't Mess with TN

DHTV Digital's director of Photography Todd 'The Terrible' Norris relaxes  at the San Antonio airprt bookstore. "I like to catch up on my motivations reading when I'm on the road," says Norris. 



Traveling Light

It pays to travel light when you hit the road on a video production shoot. Or maybe I should say,  "pack flexible". We were in Group 7 in boarding an America flight to Dallas today. Group 7 is like trying to get into a Royals Workd Series game when you arrive in the 2nd inning. This is the 'backwash' Group. 

All bin space was gone so Todd Norris and I start scrambling to put valuable cameras and lenses in our most critical carry on bag. You basically put the contents of two cases into one bag.  

We made it, but just barely.  

Not knowing if the America gate agents were former United employees, we shut our mouths and walked quietly onto the plane.